Eventually, her bold move to the United States at 16 years old marked the beginning of her journey to stardom, as she pursued her passion for singing and songwriting with determination. Despite these difficulties, Rihanna showcased resilience and creativity from a young age, channeling her personal experiences and pain into music. She is the eldest of three siblings, navigating a childhood fraught with challenges, including her father’s struggles with substance abuse and her parents’ tumultuous marriage, which ultimately ended in divorce when she was just 14. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in St. Michael Parish, Barbados, is a globally renowned pop star, singer, and fashion icon.
Armageddon —her first full-length since 2001’s Sister Nancy Meets Fireproof — was released this summer, seven years after it was recorded with Mad Professor in the U.K. In 2016, Sister Nancy received 10 years of back royalties as well as royalties going forward, which allowed her to retire from the bank and pursue music full time. Like many artists of her era who either had bad contracts or no contract at all, Sister Nancy did not benefit from the popularity of “Bam Bam” for the majority of her career. “And remember, I had songs before that like ‘One, Two’ and ‘Transport Connection’; they were playing, but I didn’t hear ‘Bam Bam’ until I come to the U.S.” Yet the song made its way to the States, where it found popularity in New York, New Jersey and Connecticut’s Caribbean diaspora and caught the ear of hip-hop innovators of the ’80s. She recorded the early dancehall anthem in 1982 when she was just 20 years old as a last-minute addition to her debut album, One, Two.
Midnights: Encapsulating Her Artistic Magic
Her work has influenced artists such as Lorde, Sam Smith, Billie Eilish, Selena Gomez, Ed Sheeran, Ellie Goulding, Kim Petras, Marilyn Manson, Jessie J, SZA, Ayra Starr, and Demi Lovato. In July 2015, the Recording Industry Association of America (RIAA) announced that Rihanna had surpassed 100 million gold and platinum song certifications. In 2012, she set a Guinness World Record as the best-selling digital artist in the US.
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Following the release of Unapologetic and the ensuing tour, she expressed a desire to take a break from recording, saying she wanted “a year to just do whatever I want artistically, creatively”. That same month, the Official Charts Company reported she had sold 3.87 million records in the country over the past year, placing her at number one among the 2013 Brit Awards artist nominees. Rihanna’s seventh studio album, titled Unapologetic, was released on November 19, 2012. A dance-oriented pop and R&B album, Talk That Talk opened at number three on the US Billboard 200 with first-week sales of 198,000 copies, while debuting atop the UK Albums Chart with 163,000 units sold. Rihanna aimed to explore more sexually expressive themes on her sixth studio album, Talk That Talk, which was released on November 18, 2011. A dance-pop record, Loud debuted at number three in the US with first-week sales of 207,000 copies.
2011: Domestic violence case, Rated R, and Loud
No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.
Acting Career and Appearances
An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear. In addition to her status as a rare female voice in a sea of male performers at the dawn of dancehall, Sister Nancy is recognized for her influential, highly sampled single “Bam Bam.” While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage. “I will never be your ordinary thing. When you come to see me, it doesn’t matter the time or the space, it’s always going to be good.” “People love what I stand for. I always give the audience something they can think about,” Sister Nancy tells GRAMMY.com, Zooming in from a car in Midtown Manhattan.
The record also featured the popular power ballad “Unfaithful,” as well as singles “We Ride” and “Break It Off.” The album debuted at No. 5 on the Billboard 200 chart and earned her first No. 1 hit with the catchy pop single “SOS,” which spent three weeks atop Billboard’s Hot 100. In 2008, Rihanna topped the chart three times, twice with her own songs “Disturbia” and “Take a Bow,” plus a feature on T.I.’s “Live Your Life.” She has also earned nine number-one songs on the UK Singles Chart and ranks second to the Beatles for the most million-selling singles in the country. This made her the artist with the most digital single awards and the first performer to exceed RIAA’s 100 million cumulative singles certification threshold. With estimated worldwide betista casino sales exceeding 250 million records as of 2023, Rihanna is one of the best-selling music artists of all time.
Swift’s now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with “I Wish You Would” and “Out Of The Woods”; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights. The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. Following the more country-influenced Speak Now, some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out.
- Other songs, including “Death By A Thousand Cuts” and “Cornelia Street,” are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone.
- Debuting at No. 3 on the Billboard 200, the pop and R&B album produced her longest-charting No. 1 hit, “We Found Love” with Calvin Harris, which topped the song chart for a whopping 10 weeks straight.
- The resulting album, Good Girl Gone Bad, was released on May 31, 2007, to critical acclaim.
- “Umbrella” topped the Billboard singles chart and earned Rihanna her first Grammy Award for Best Rap/Sung Collaboration.
- A once-in-a-lifetime generational storyteller, one could argue that she is music’s modern-day maverick, constantly evolving both her music and the culture around her.
- With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s “The Monster.”
Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious “Lift Me Up,” she found herself in the top 10 for the first time since 2017’s “Wild Thoughts.” Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like “I lost it” and Instagram captions that read, “Me listening to R9 by myself and refusing to release it.” Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, “Sex with Me” is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex (“Higher”), compares smoking weed to her lover (“James Joint”), and chastises a guy for getting emotionally attached after their fling (“Needed Me”).
“And, baby, that’s show business for you,” Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.
Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single “Te Amo” didn’t chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna’s first time veering away from her “girl next door” image, as the song’s subject matter deals with infidelity. Follow-up single “If It’s Lovin’ That You Want” stalled at No. 36 on the Hot 100, but still whetted fans’ appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like “Willing to Wait”). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
On the Life of a Showgirl track directly named after the late icon, Swift circles back to the themes she touched on with folklore’s “Peace” and the tension between her private reality and her public persona. While half of The Life of a Showgirl’s 12 tracks peer into the darker corners of fame and explores the loneliness, scrutiny and fractures that used to come with it, the other half are dedicated to falling completely head over heels. And on The Tortured Poets Department’s “The Prophecy,” she pleaded for someone to change what she believed to be her predestined future of being alone and what she’d give up to find someone she loves.
The singer/songwriter also picked up a Best Traditional Pop GRAMMY in 2024 for her second LP, an immaculate collection of jazz, pop and classical that bridged the gap between Gen-Z and the Great American Songbook. Still, as a love song dedicated to wife Amanda Shires — and the quiet acceptance that the Grim Reaper will inevitably end their story — it’s certainly no less emotional. Just four years after picking up five GRAMMY nominations for their transatlantic chart-topper “Love the Way You Lie,” unlikely dream team Eminem and Rihanna once again joined forces for another hip-pop masterclass. Traditional Appalachian folk song “O Death” had previously been recorded by the likes of gospel vocalist Bessie Jones, folklorist Mike Seeger and Californian rockers Camper Van Beethoven, just to name a few. The King of Pop picked up a whopping 11 nominations for his first blockbuster album, Thriller, and then converted seven of them into wins, including Album Of The Year. Considering how perfectly Mike Oldfield’s prog-rock epic Tubular Bells complements all-time classic horror flick The Exorcist, it’s remarkable to think that it was recorded before director William Friedkin came calling.
“If you listen to the lyrics to that song, you know the depth and how far she’s come.” “The minute Rihanna walked into the room, it was like the other two girls didn’t exist,” he told Entertainment Weekly in 2007. The post featured a photo of Rihanna holding her new daughter, Rocki Irish Mayers, who was born on September 13. Rihanna is a Grammy-winning singer known for such No. 1 pop hits as “Umbrella,” “SOS,” “Diamonds,” and “Work.” In 2023 Rihanna revealed she was again pregnant by performing at the Super Bowl halftime show with a visible baby bump; her representatives subsequently confirmed that the singer was expecting her second child. Rihanna’s personal life attracted intense media attention.
In turn, Swift hasn’t just become one of the biggest artists of all time — she’s changed pop music altogether. Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music. Furthermore, the deluxe edition consists of 16 tracks, half of which topped the Dance Club Songs chart — smashing the record (previously held by Katy Perry’s Teenage Dream) for the most No. 1s from a single album. “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun. The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake). Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”
Retrospective and reflective, Speak Now is an album about the speeches she could’ve, would’ve and should’ve said. The album’s title track pulled from the saying, “Speak now or forever hold your peace,” inspired by a friend’s ex-boyfriend getting engaged; meanwhile, “Mean” was everything Swift wanted to say to a critic who was continuously harsh about her vocals. Along with having more eyes on her, Swift also felt pressured to maintain her persona as a perfect young female role model amid a time when her peers like Miley Cyrus and Demi Lovato were attempting to rebrand to be more mature and sexier. But this meant that she faced more publicity and criticism, from naysayers who nitpicked her songwriting and vocals to the infamous Kanye West incident at the 2009 MTV Video Music Awards.
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- While half of The Life of a Showgirl’s 12 tracks peer into the darker corners of fame and explores the loneliness, scrutiny and fractures that used to come with it, the other half are dedicated to falling completely head over heels.
- Rihanna has received multiple Grammy Award nominations for her albums, winning Best Urban Contemporary Album for Unapologetic in 2014.
- Eventually, her bold move to the United States at 16 years old marked the beginning of her journey to stardom, as she pursued her passion for singing and songwriting with determination.
- The album’s lead single, “Diamonds”, topped the US Billboard Hot 100, becoming Rihanna’s twelfth number-one song on the chart.
- She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100.
- On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
Through her fashion ventures, Rihanna has become one of the wealthiest musicians; in 2021, she became the richest female musician at the time, with a net worth of $1.7 billion. Around the time of her second album A Girl Like Me (2006), critics often compared her style and sound to that of Beyoncé. She credits that song with sparking her passion for music and partly attributes her presence in the industry to Houston. She also mentioned that one of the earliest songs she developed an affection for was Houston’s rendition of “I Will Always Love You” (1992). As a child, she sang Whitney Houston songs and “A Whole New World” (1992) into her hairbrush so frequently that her neighbors started calling her “Robyn Redbreast”. She deemed him one of her all-time favourite artists, crediting him with “paving the way for every other artist out of the Caribbean”.
